by Jim Bellomo | May 1, 2023 | Photography
Sometimes it feels like we aren’t traveling anymore, and sometimes it feels like we are never home. Since our February trip to Walt Disney World (my last major set of posts), we have been traveling but only for family stuff.
In late February, we flew to the Bay Area to deal with the death of Kathleen’s mother and brother. Then in late March, we went down to Southern California to celebrate the 90th birthday of my brother’s mother-in-law (who is the coolest 90-year-old you will ever meet) and from there, back to the Bay Area for more meetings with attorneys, realtors, contractors, etc. We have two houses to sell and three cars to get rid of—so much fun.
But back to today—we are sailing on Holland America’s Konigsdam from Vancouver, BC, to beautiful Ketchikan, Alaska and Prince Rupert, British Columbia. Yes, it’s Alaska again, but there are two big reasons we are boarding this ship today: Alaska is not one of them.
The first is that our last cruise before the pandemic was from Fort Lauderdale to New Orleans for Mardi Gras in February 2020. We sailed with our Martini Mates and had an awesome time. My best buddy Bob was part of that cruise, and even though Kathleen and I have been on three cruises since then, this is the first time Bob and Judy will be on a ship since we got off on that cruise. So we just had to go along on this one to celebrate.
Our second reason for taking this cruise is that it is we are celebrating a first on this cruise. We are traveling with Kathleen’s daughter Michelle and her husband, Brian, on their first cruise. When they found out we were going on this short cruise, they asked if they could come along. So yesterday Brian drove us up (his car was the only one that could fit all our luggage) to Vancouver; we had an amazing dinner at our favorite Italian restaurant (Cin Cin–been going there since 2005) and spent the night at the Pan Pacific Hotel which is right at Canada Place, the cruise terminal for Vancouver. In fact, I can look out our hotel room window (where I am writing this) and see our stateroom on the ship just below us. That’s really cool.
So far, things have gone well. Brian and Michelle knew a great place to stop for lunch on our way north; otherwise, the drive was uneventful. If I have one complaint (actually two), it is that check-in time for the Pan Pacific is 4:00 pm, but we didn’t get rooms until almost 5:00. Not the kind of service I expect for the price you pay. And their WiFi has been spectacularly terrible as well.
I hope to do my usual job of blogging this cruise, but it may have to get posted after we are back. We didn’t get a WiFi package on this ship since we will seldom be out of cell phone range but putting this kind of stuff online with a phone is next to impossible. But watch this space. The posts will get there eventually.
Here’s a last-minute gift; a few photos I took on an early morning photo walk on Vancouver’s incredible waterfront. Don’t forget; if you click the first shot, you can then scroll through with your arrow keys or by swiping…and PLEASE…don’t look at my photography on a phone. Please…
Canada is like a loft apartment over a really great party.
—Robin Williams
by Jim Bellomo | Dec 31, 2022 | Photography
Here we are on the last day of the year, and I only have one post left to do to wrap up 2022. Since I consider this site a travel and photography blog, I have saved my best photos post for last. And they are all travel photos so that kind of fits.
I wanted to do a David Letterman and give you a Top-Ten list, but I could only narrow it down to 14, and I need some of you to tell me which ones you like better. I shot a bunch of photos this year across two continents in seven different countries and all while traveling. I had some fantastic photo experiences, the best being in Venice and Tarragona, Spain, but I loved the other shots I got as well. So please let me know in the comments which ones I ranked differently than you would have.
Just a note: If you click on any of the photos, they will enlarge on a black background to fill your screen. That’s the best way to view them. And PLEASE…don’t look at my photography on a phone. Please…
Number 14—The magazine ad from Eze, France
I took this from way up on the top of the village of Eze, a true hilltop town in the south of France between Nice and Monaco. When I got back to our stateroom and was going through my photos, I realized that I had taken an advertising photo. Is this not the perfect photo to illustrate any advertisement for the south of France?
Number 13—The view from the Number Two
Floating down the Grand Canal in Venice at 5:45 in the morning, I looked back and saw this view behind the #2 vaporetto I was traveling on. I stepped out onto the back deck and got this shot of Basilica di Santa Maria della Salute and the sky behind us, and I loved the light I got.
Numbers 11 & 12—My two best people photos
Olympia, Greece
Athens, Greece
I have a bunch of people photos from this year, but I love these two the most. The first is from Corfu. We had gone on a shore excursion that took us to Olympia in Greece and then to a hotel where they did some cooking demos and lunch. After lunch, this wonderful man and his family did some amazing Greek dancing. ‘He was incredibly animated and he really played to my camera.
The second shot, from only two days before, is our guide George who took us all over Athens and then found us the best lunch in the world. I loved his quiet confidence in this shot. He was the perfect guide for us.
Number 10—A flamingo on Grand Turk Island
Grand Turk Island
If you look back on my Top Photos of 2021, what I considered my best photo was a shot of a flamingo I took while we were in the Galapagos Islands. There is something about these birds; they are both majestic and awkward all at the same time. The reflection made this shot. And the really amazing thing is that I shot it from a tour bus at about 30mph.
Number 9—The money shot in Cinque Terre
Cinqe Terre, Italy
This is incredible Manarola, one of the five villages that make up the Cinque Terre on Italy’s eastern coast. We were visiting for the day on a tour with the amazing Luigi. We were going from village to village via the ferry. When we arrived in our second stop, Manarola, Luigi told me that I wanted THE quintessential Cinque Terre shot, I would need to climb this particular hill and then look back. He was right. This shot, of the more than 600 I took that day, says it all. It’s the postcard shot.
Number 8—The Columbia Bar, Astoria, Oregon
Columbia Bar, Oregon
This one is my most peaceful shot of 2022. I love the way the spray and the water “humps” are just flowing. The lighthouse in the background helps as well. But conversely, this is really a pretty violent photo because, as anyone who has lived in the northwest can tell you, the Columbia Bar (where the Columbia River enters the Pacific Ocean) can be VERY dangerous. Lots of ships have been wrecked trying to sail through these waters.
Numbers 6 & 7—Wedding pics in Venice
Venice, Italy
Venice, Italy
Walking into Piazza San Marco in Venice at just before 6:00 am and finding the entire piazza empty except for these three people almost took my breath away. I had been there the afternoon before, and the crowds had been immense, smothering and overwhelming. To walk into the piazza and find this couple and their photographer taking photos right at dawn was like a miracle for me. But I can’t decide which one is my favorite, so this is another chance for you to pick.
Number 5—My best panoramic shot of 2022
Naples, Italy
This is a manufactured panoramic shot I took while in an indoor shopping center in Naples, Italy. I love taking panoramic photos. Not the kind you get with your iPhone but this kind. Ones where I plant my feet and move the camera by pivoting my upper body as I take a series of shots. Then I take them back into Photoshop and stitch them together to create what I was seeing from where I was standing at the time. This shot is one of the few vertical panoramas I have taken. I started as three vertical shots. If I have any complaints with it, it is that it seems slightly tilted to me and when I try and fix that, it only looks like it is tilted in the other direction. But I still love it.
Number 4—A hole to the sky in Barcelona, Spain
Naples, Italy
We were on a tour in Barcelona, Spain, and we had stopped to see Gaudi’s La Pedrera—Casa Mila. This is a multi-story building that initially housed two condominium-type dwellings for two fairly wealthy families in the early 1900s. Just before we took the elevator up to the top floor to work our way down, I leaned out into the center of the building and took this shot, looking straight up the shaft that is the inner courtyard. I had no idea it would turn out this good. And it really helped to have amazing weather, so I had the blue (with wisps of clouds for contrast) sky.
Number 3—The lights of Kotor, Montenegro
Kotor, Montenegro
Someday I will blow this shot up and hang it on a wall. It might be the best nighttime shot I have ever taken. We were in Kotor on our Viking Sky cruise. During the day (while Kathleen was quarantined due to Viking giving her food poisoning), I hiked up this mountain/hill and took many great photos looking back. I was so impressed with the city. Luckily for me, the ship did not sail away from the city until fairly late that night. We were in our stateroom watching another episode of Downton Abbey (what else do you watch on a Viking ship ?) when I happened to look at the bow cam on our TV and saw this scene. I literally grabbed my camera and ran to the front (and top) of the ship to get this photo of the entire town lit up, including the old fortress that protected the city. I have to give huge credit to my new Nikon z7 being able to get me a shot this clear when I handheld it at 1/20th of a second. Amazing.
Number 2—Man eating breakfast in Venice, Italy
Venice, Italy
My favorite (and I believe the best) photo I have ever taken was a shot like this. It told a story. You can see that one here. This one does the same thing for me. I was up early in Venice and pretty much lost and wandering the calles and campos I turned a corner, and there in the distance was a man having breakfast. And just like my best photo, this one was all about the light. Or, in this case, the lack of it. What light exists does exactly what I want it to do, it send my eye directly to the subject. No photographer could ask for more.
Number 1—The blue hour (actually about 15 minutes) in Venice
Venice, Italy
Lots of people know about the “golden hour” of photography. It’s that time just before sunrise or after sunset when the sky turns golden. What you may not have heard of before is the term “blue hour.” This really isn’t an hour but it’s the 15-20 minutes just before or after the golden hour. The sky is transitioning from the black of night to the golds, oranges and pinks of the sunrise. If you get lucky and do some planning, you can be in the right place (standing on the Rialto bridge) at the right time (the blue hour) to get the shot you want.
So that’s it. Another year of photography behind me. I like to think that I get better each year. Retirement, or at least cutting back on work and being able to focus a little more on taking pictures, has helped me improve. Sitting here writing this at 4:00 am on New Year’s Eve I feel really good about the shots I got in 2022. Can’t wait to see what I put in my post a year from now.
Happy New Year! Hope we all have an awesome 2023.
Photography takes an instant out of time, altering life by holding it still. —Dorothea Lange
by Jim Bellomo | Dec 20, 2022 | Photography
Yesterday I was sitting on the couch working on yesterday’s post about panoramic photos. About halfway through uploading photos, I had to make dinner, so I thought I was saving the page, but the actual button I hit was “Publish.” When I hit that, WordPress (where I host my website) sends out an e-mail, and that’s it. I can make changes to the post, but you won’t be notified when I do.
The problem was, I still had a BUNCH of pano photos I still wanted to post. So here they are, and hopefully, you will appreciate them. I have never been able to post them in the past in my daily travel pics on Instagram or Facebook because they won’t let me add them and show you the entire photo. You only get the middle part. I hope you enjoy them. Make sure to open them up on the biggest screen you have. Otherwise, you won’t get their full impact.
These first two are special as they depict the same scene, just taken from two different angles. I was standing in the same spot. In the first one, I started on the left with one ship in view and moved to the right until I had done almost a 360-degree turn. On the second one, I started with both ships in view and moved to the right. The first one is a BUNCH of pics stitched together.
Here are a few more with comments. And of course…don’t forget, if you click the first shot, you can scroll through with your arrow keys or by swiping…and PLEASE…don’t look at my photography on a phone. (If you have to, make sure to at least turn it sideways to view them horizontally.)
The next four are from…
our sail-in down the fjord…
that took us into…
Akureyri, Iceland.
These next four are from our recent visit to Barcelona, Spain
From Museu Nacional d’Art de Catalunya
From the top of Casa Mia
From Park Guell
Also from Park Guell
On a sidewalk next to Plaça de Catalunya
Here’s some from our stop in Dubrovnik, Croatia. I climbed the walls that day and walk all around the city, so lots of chances for panorama photos.
Those seem to be the only multiples I have left, so here’s the rest with captions.
This is the off-leash area of Marymoor Park here in Redmond
Orangestad, Aruba
Inside the main theater on Holland America’s Nieuw Statendam
The upper deck on Celebrity Infinity
A beach on Grand Turk Island
Hilo, Hawaii
Kilauea volcano
Sailing into Kotor, Montenegro
Lake Elsinore, California
Taken from a lighthouse in Florida just before a thunderstorm
Maui, Hawaii
The harbor in Messina, Sicily
The view from Taormina, Sicily with Mt. Etna in the background.
Looking out from Taormina to the sea
The view from Mt. Etna
The city square and palace in Monaco
Taken from the palace in Monaco
Morikami Japanese Gardens in Delray Beach, Florida
Mt. St. Helens
Ohau, Hawaii
The Gatun Locks on the Panama Canal
Changing of the gaurd at the Canadian capitol in Ottawa
Petco Park in San Diego, California
Puerto Plata in the Dominican Republic
My best friends old neighborhood in Port Hope, Ontario
Outside Reykjavik, Iceland
Downtown Rochester, New York
San Diego, California
San Juan, Puerto Rico
San Francisco, California
Seattle Washington from a WA State Ferry
Santa Cruz Island, Galapagos Islands, Ecuador
Sydney Harbor, Sydney Australia
Toronto, Ontario, Canada
The only man who never makes a mistake is the man who never does anything. —Theodore Roosevelt
by Jim Bellomo | Dec 19, 2022 | Photography
I love shooting panoramic (pano) photos. Not the kind you do with your iPhone. The ones I take are usually composed of a series of photos I have taken from the same place, with my feet firmly planted on the ground. I swivel my upper body and shoot anywhere from six to 15 photos. Before I start shooting them, I take a photo of my left foot. Then when I finish, I take a photo of my right foot. When I am doing my photo triage, later on, I know where the pano starts and ends.
Then I process those photos in Camera RAW and stitch them together in Photoshop. From that, I have gotten some pretty good panoramic photos. But I will let you decide. I decided to put together this post because I have so many panoramic photos, but I can’t post them on Facebook or Instagram because they crop them severely. When I do, you can only see the very center section. So here are a few of my own with a caption that tells you where I took them. As you will see, I take them both indoors and out, of scenery and people as well. Anytime I have a subject that won’t fit into one frame. My shortest (the indoor one in Naples) is only three photos stitched together. My longest (not sure which one) might have as many as 20.
Don’t forget, if you click the first shot, you can then scroll through with your arrow keys or by swiping…and PLEASE…don’t look at my photography on a phone. To really see these, you have to see them BIG!
My best pano…Puerto Vallarta sunrise
My most recent pano…The Boeing Museum of Flight
Victoria, British Columbia
Venice, Italy
Cinqe Terre, Italy
Split, Croatia-1
The first Olympic stadium, Athens, Greece
Taromina, Italy
Bonaire
Split, Croatia-2
Taromina, Italy
New Orleans, Louisiana
Toronto Aquarium
Athens, Greece
Niagara Falls, New York
Monte Carlo, Monaco
Mariner Spring Training Game, Peoria, AZ
View from the Acroplis, Athens, Greece
Athens harbor, Athens, Greece
Sedona, Arizona
The Parthenon, Athens Greece
Kotor, Montenegro
Dubrovnik, Croatia
Naples, Italy
Taromina, Italy
Monte Carlo, Monaco
Fort Lauderdale, Florida
Akaroa, New Zealand
Dubrovnik, Croatia
Dunedin, New Zealand
Interior of the dining room on Holland America’s Nieuw Statendam
The beach at Seaside, Oregon
The Biosphere outside Tucson, Arizona
Bonaire
Bonaire
Avalon Harbor, Catalina Island
Celebrity Century
Downtown Curacao
Dawes Glacier, Alaska
Allure of the Seas
Inside a mall in Naples, Italy
In the beginning, the cubists broke up form without even knowing they were doing it. Probably the compulsion to show multiple sides of an object forced us to break the object up – or, even better, to project a panorama that unfolded different facets of the same object.
—Marchel Duchamp
by Jim Bellomo | Nov 6, 2022 | Photography
I have promised this post about my photography methodology since we got home from our Mediterranean cruise. Before I start, I want to thank everyone who has complimented my photography, either here or on Instagram or Facebook. It is so gratifying that people like the thing I love creating. And I truly do love creating photographs.
I had originally thought I would just tell you about my cameras and what I do, but this way will be more fun and maybe help you improve your travel photography by hearing about these things I do when I shoot travel. BTW: These will work for ANY camera; your phone, your point-and-shoot, your DSLR or your mirrorless camera. And I did include the camera and lens stuff down at the bottom.
#7—Get out of the way
Thought I would start with the pet peeve that I learned how to solve long ago—getting out of the way of other people. So often, I see someone walking along in a crowd of people, and they see something they want to take a photo of. They immediately stop, pull out whatever camera (probably their phone) they are using, and they bring it up to their eye and take a photo. Or two. Or three. Or worse is those that stop to take a selfie. Or two. Or sixty—with a different facial expression in every one of them.
But the really important thing they don’t do is GET OUT OF THE WAY! If I see a photo I really want to get, I immediately walk to the nearest wall or pole or real-life obstruction and stop there. I NEVER stop in the middle of the sidewalk, road or wherever else I am walking. (And I don’t change direction immediately. I move diagonally) Why? Because I am not the most important person in the world. I have no business blocking others who may not want to take a photo right then. So get over to the side, get out of their way and take your photo.
#6—Take a few seconds to figure out the best shot available
Now that you have stepped to the side take a few seconds to look at what you first saw that attracted your eye. Take that first shot. Then ask yourself, is there some other way to shoot this that might look better? Try a couple of other shots. Maybe switch sides of the sidewalk or street. Get up higher, get down lower. Most of the time, when you see one of my photos, there are four or five other ones on the same subject that you will never see. I shot them, but I liked the one I posted a whole lot more.
#5—Look behind you
Now you have taken the shot that caught your eye, turn around and look behind you. I know I have mentioned this before on numerous occasions, but a guy named Shawn King, who used to have a Mac podcast I listened to, used to talk about photography, and this was one of his prime directives. Look behind you. I almost always do, and it has paid off with some great shots. I took two photos within two seconds of each other in England. I had taken the obligatory Stonehenge shot, remembered to turn around and got this great cow. I honestly like them both equally.
#4—Shoot a lot of images
When I first started taking photos seriously (not just snapshots), I was in my first year as a yearbook adviser at Coachella Vally High School. The absolute biggest difference between my photography then and my photography now is digital. When I started taking pictures, we were using film (yes, I am that old ?). If you don’t remember shooting with film, it used to come with a certain number of exposures per roll. That meant the maximum number of photos I could take was either 12, 24 or 36. That was it. Then you had to put in a new roll of film. Film was expensive, as was getting it developed and printed. For 36 color photos, I would probably spend $8.00 for the film itself and then another 30¢ per photo to have them printed and more for enlargements if I wanted them. The total for 36 prints was in the ballpark of $20 with tax, etc. So every photo I took had to be the one I wanted. The second, third and fourth shots were expensive. If I had taken the Med cruise we took in September, I would have probably shot one or maybe two 36 exposure roles of Kodachrome or Ektachrome a day. Our cruise was 21 days so that would have cost me more than $750.
Today on an average trip, I spend exactly $0.00 to take thousands of photos. On our September trip, I took a grand total of 3,203 images. I have shared many of those on this blog, on Instagram, on Facebook and other places, but it still hasn’t cost me a single cent beyond the cost of my original investment in camera and memory cards. (BTW: In case you are wondering why my photo count is so high, it’s because I take triples. That’s three shots pretty much every time I push the shutter.)
So the message here is…take a lot of images. Out of the 3,203 photos I took in September, I was happy with about 600 of them. The rest are long gone. Out of those 600, I only show anyone about 350 of them. But they are the ones I love and want to share. And in many cases, they were the third, fourth or fifth photo I took of the same subject, just from a slightly different angle. So shoot a lot of pictures.
#3—Then organize those photos—with photo triage
If you aren’t familiar with photo triage, it works just like medical triage. I think watching the TV series MASH was the first time I understood how triage worked. A doctor would be in charge of triaging wounded patients as they came into the hospital. Those who were hurt the worst got care; first, those with less life-threatening injuries could wait.
I do the same thing when I return from a day of shooting photos. I download them to my computer and decide which ones are worth saving and which aren’t. I also have a category for those that might be good shots if I work with them in Photoshop for a little bit. I do this in a program called Adobe Bridge (below). 
Others use Adobe Lightroom. But you could do it just as easily in Apple’s Photos app or the base photo organizer tool for Windows. I look at each photo and hit either my 1 key for losers, my 5 key for winners or my 3 key for fixer-uppers. You can do the same thing in Photos by favoriting the ones you like (they need a numbering system). Then I summarily trash all the 1s. Get them off of your computer. I promise if I had left all of my 3,203 photos on my computer, they would not only have been a pain to manage but also have taken up a substantial amount of hard drive space. Once I have my 5s and have repaired my 3s, then I show Kathleen my 5s (fixed 3s become 5s) and see what she thinks.
After that, I might do a little more work on my final choices. Then I perform two steps that, in all likelihood, you won’t have to do with your photos. Mine are taken in a format called RAW. This format produces what photographers call a digital negative. It gives me a chance to choose a bunch of settings for my photos that your camera or phone chooses for you. Apple has created kind of a RAW format for iPhones, but there is a pretty decent learning curve if you want to use it. Since I use RAW files, I first have to convert them to JPEGs before I can put them online. I have a Photoshop extension that does this in bulk, but it does take a few minutes. Then if I want to put them on Facebook or Instagram, I have to make them smaller, so I have another Photoshop action that I run to shrink them for online use. I always keep my original files in RAW, so I still have them if I want to print them or use them in a large format.
#2—Learn how to hold your camera and hold it still
About 90% of the people I see using an iPhone hold it like this to take a photo. This is the wrong way. I can fix a lot of things in Photoshop, but no one can fix camera jiggle. So much of that has to do with how you hold your camera or your phone. My current iPhone, it has an excellent camera, and I thought I might start using it more. So I signed up for a course (online) on shooting with my iPhone. Sadly, I didn’t learn a lot because most of the course was just basic photo techniques that I already knew. But one thing that I learned in the very first lesson was how to hold the phone in the best way to avoid jiggle and get a clear photo every time.
How should you hold a phone? Like this.
Three fingers of your non-dominant hand going up or across the back. The phone is supported by your little finger and thumb of that hand. Then put your dominant hand underneath your other hand and take the photo using your thumb. This gives you an amazing amount of control, and it is a lot less likely to not only jiggle, but you are a lot less likely to drop it if jostled in a crowd. Give it a try. I do need to say that it took me a while to do this every time, but I do it every time now. Make it a habit. BTW: If you need a better explanation, just Google “the right way to hold an iPhone when taking a picture.”
#1—If you can shoot Manual and/or get a real camera
This tip only partially applies to those of you using your phone as your predominant camera. But if you have a DSLR (digital single-lens reflex) or a mirrorless camera, stop shooting in Program or Auto and shoot in Manual. And if you are using your phone, consider buying a real camera. (That will take you to the next level). When you take a photo in Program, Auto or with your phone, your camera thinks you want a photo of your subject in midday, full light. Let me illustrate. On the left is a photo I took in Program. On the right is one I took in Manual.
See a huge difference? The one I shot in Manual is what I saw with my eye. The one I shot in Program is what the camera thought I wanted to take. I never want to take that photo. The mood of the one on the right is what I want every time. It completely captures what I wanted it to.
My equipment
I have had people ask in the comments what kind of camera I use. I am happy to say, but I hope that you realize this has little to do with my photography. Saying that it does is like asking Jimi Hendrix what kind of guitar he played. He could have played any guitar and been as awesome as he was. That said, I am currently shooting an almost brand new (I got it in September) Nikon Z7II. It is a mirrorless camera that I picked up in July. Mirrorless is the current state of the art in cameras. I could get really technical as to why it is superior to my old Nikon D810 DSLR, but the biggest advantage for me is that I can now hand-hold my camera at 1/20th of a second. To me, that is amazing. When I started shooting, the best I could do was around 1/60th of a second; otherwise, I got way too much jiggle. But without a mirror snapping up, I can hand-hold a lot slower shutter speeds. This new camera is also much better for action because it can take a lot of photos faster.
The predominant lens I shoot when traveling (or pretty much all the time) is a Nikon AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR lens. David Pogue, the NY Times tech guy, called this the “Magic Lens” because you only need this one lens to shoot all the time. I do have to give up a little light that I could get back by shooting a faster lens but they just don’t make them. This lens is also pretty darned-heavy. With my camera attached, it weighs about 5lbs. I do own other lenses, but I rarely use them.
The other piece of equipment I never travel without is my Black Rapid camera strap. I can’t stand things (especially things that weigh 5lbs) hanging off my neck. This one is cross-body, and they last forever. My current strap is the only one I have ever owned, and I have been using it for more than 15 years. Not only does it distribute the weight well, but it has a zipper compartment for extra cards and a pocket for an extra battery—which is a must!
As you have already read, I also take my Mac on just about every trip we take. This helps me feel better about not losing any photos. I am a fanatic about backing up my photos. My Nikon has two slots for memory cards. I shoot to both of them. This means that when I take a photo, it is saved to both cards at the same time. When I get back to the room or the ship stateroom, I download the pics from the primary card. Then I get out my 2TB backup drive and back up my Mac. Every time I shoot I always have at least two (and usually three) copies of every photo until I have done my triage and backed up those. Then I can get rid of the rest. And I forgot to mention that the folder where I keep my photos that I download is in my Dropbox folder so it is also being uploaded whenever I have WiFi. That puts all my photos online as well.
I fully realize this is more than everyone wanted to know but if it helps you improve your travel photos, it will have been worth it. Feel free to ask any questions in the comments.
Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever… it remembers little things, long after you have forgotten everything. —Aaron Siskind
